for windows download Vampire: The Masquerade – Swansong

He’s the Camarilla’s point man (if you’re familiar with Vampire: The Masquerade - Bloodhunt, Galeb is the equivalent to that game’s Ventrue Enforcer class). None of the three playable characters – Leysha, Emem, or Galeb – really felt like an “in” for me, though I did enjoy Galeb’s general badassery. From the first scene, you’re barraged with jargon-rich dialogue spoken between characters who already know what’s going on – and who already have a history with one another – but don’t know you.

If you don’t already have an emotional investment in Vampire: The Masquerade’s world, Swansong does very little to pull you in.

Hold on, I thought the whole titular Masquerade was about hiding the existence of vampires from the public for this exact reason? If he were a better villain, he’d tweet about them. In virtually every scene he shows up in, he spouts some euphemism about ending the vampire reign forever, and then he begins speaking Latin until he gets dramatically ferried off-screen. Its villains are a generic group of heavily armed religious fanatics in police uniforms that unironically label themselves the “Second Inquisition.” And if that wasn’t enough to make your eyes roll, it’s headed by Stanford, a guy whose monologues are so predictable and one-sided that he fails to be seen as anything other than a cheesy cartoon villain. Instead, Swansong quickly positions you as the downtrodden, misunderstood hero of its grimdark underworld. It’s always a treat when you get to play the clear villain of a story.

Things kick off as you step into a fancy pair of vampire shoes and head on down to the Camarilla, an upscale vampire court seated in the heart of Boston.

For windows download Vampire: The Masquerade – Swansong